What we do know is this: once we notice or even predict that our work may harm others, we're responsible for fixing it or abandoning that specific solution. We can no longer stick our heads in the sand and opt for neutrality or plausible deniability. We need to have an opinion on ethics. Because being informed is what gives us the confidence to take a stand on things we care about. Follow us on Twitter for new content releases. Enjoy our companion playlist for this article:. Unethical design puts short-term business goals ahead of earning and keeping user trust.
Wouldn't It Be Great If We Could Live Sustainably By Design?
This harm can be broadly divided into three, overlapping categories: These can be broadly divided into three, overlapping categories: 1. Physical harm — including: Inactivity and sleep deprivation, enabled by infinite-scroll feeds, auto-queued videos and other hallmarks of the attention economy. Financial strain, resulting from features that eat into data plans or make it incredibly difficult to cancel renewing subscriptions. Accidents due to distraction, especially when people are driving.
Wouldn't it be great if | Design Council
Emotional harm — including: Betrayal of trust or privacy , when people are exploited, exposed, or discriminated against using personal information they thought was private. Societal harm — including: Political polarization — algorithms flatten the landscape of journalism, drive news agencies to compete through sensationalism, and contribute to a divided society with polarized views and an immaterial grasp on reality. Exclusion — for instance, when designers fail to develop features sensitive to the experiences of LGBTQ users, consider accessibility for those with mental and physical disabilities and recognise the importance of legible text to older users.
The incentives Engagement — these are the big numbers, like daily average users DAU , that get used as shorthand for success in tech teams. Neutrality — so many decisions get made by not deciding at all. We should try to fight the instinct to avoid difficult conversations, because passive choices are choices nonetheless. Now we know that design can unintentionally cause harm, we need to make time for addressing that with the same rigor we bring to shiny new projects.
How our work can harm users — and to what end. For the sake of this article, I wanted to summarise the first item, general business practice. Following is a more summarised version. But I believe this is an essential part of running a sustainable design business! My business runs on a regular for-profit business model, for the time being. I work mostly as a digital nomad collaborating on projects with people remotely all around the world and thus, I work from various locations throughout the year cafes, co-working spaces and sometimes just a hotel room , depending on where I am.
They also use only eco cleaning products and recycled supplies — to name just a few of the reasons why they are green. Everything from where you get your energy from, to using Keep Cups and cycling to work. There is a much more comprehensive list available in my eCourse.
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A sustainable graphic design studio should have a pretty solid environmental policy or sustainability policy. You can see mine on my website here. Sustainable graphic designers should all become carbon neutral. No excuses. Check out the best cell phone companies in united states and also the cheapest cell phone plans available today. So, you can just imagine the furore when the Finnish firm announced a Lumia with the 41 megapixel camera goodness.
Read more Last year, the Taiwanese company made a bold decision by creating a phone that put design first, and everyone loved it. Spewing class from everyangle, the original HTC One was a cutabove the rest.
Get the best family cell phone plans in best cell phone plans blog. So, how on earth do you follow that? I spent the last two weeks in-and-around a care home in England that looks after people with dementia and terminal illness, and their families — including, this time, mine. People go hungry not because of a shortage of production, but because the food available is too expensive, or they lack the land to grow it on. In California, the prototype of a combined social, political and technical solution has been launched which promises to unlock the food system crisis.
What would fashion be like if it was more than a an act of consumption with no meaning beyond the point of sale? What kind of system would improve the quality of our fashion experience without increasing the quantity we consume? John Thackara: Cloud Commuting. A two-year project in Belgium proposes new relationships between people, goods, energy, equipment, spaces, and value.
Its design objective: a networked mobility ecosystem. John Thackara: Summer Xskool in Sweden. Energy requirements per person in modern times are 60 times higher than our ancestors. How do we sustain that need as populations also increase? Pedelec sales are soaring in Europe, too. Is this the start of system-wide phase-shift in transportation? John Thackara: Conflict and Design.
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A review of the design triennial in Belgium on the theme of Conflict and Design. Two radically opposed models of development are being born in Ethiopia at the same time. One is small, local, socially fair, and ecologically respectful. The other takes the globalisation of fashion to a new and more destructive level. The downside of declaring war on a disease like dementia is to diminish social solidarity.
But there are solutions. John Thackara: John Thackara on Avatar. John Thackara is a writer, speaker and design producer, and director of Doors of Perception. John Thackara: Desert of the Real.
ronodgola.gq Two upcoming talks from John Thackara in Mexico City. John Thackara: Ways of Knowing. John Thackara's contrubution to the book Gallery of the Senses, that explores the ways we expereince the contemporary world through sight, hearing, smell, taste and touch.
John Thackara: Speed? What Speed? Prisoners of Speed, by Ivan Illich. Ivan Illich on being prisoners of the idea of speed. The Falcon, by Sebastian Trapp. John Thackara: Flyways.